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MIT Museum & Harvard Carpenter Center

Chocolate City
Dance Map

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"Bamba in Motion by Marcel Santiago." Film stills. 2023

/ Let’s get this party started right. Black dance and music are an exact representation of place: out of the migratory hotspots where it has evolved; in the neighborhoods where it originates, through the architecture where it is performed, and in the psychic spaces of those who use it as expression, healing, and joy.

 

Using motion capture and photogrammetry as a point of departure, The Chocolate City Dance Map is a cartography of Black somatic choreographic movement made in collaboration with MIT.nano and the MIT Immersion Lab. At the intersection of art, science, technology, and social practice, The Chocolate City Dance Map will come to life through the presentation of the “Make Techno Black Again” immersive experience and the sharing of an open-source digital library of Black dance. 

 

What is a map besides an abstraction of what the body knows innately? Here I posit dance as a type of map, a territorial formation of labor, race, class that maps itself onto the body through movement. Popularized by George Clinton, “Chocolate Cites” refer to the constellation of towns and cities where Black culture is maintained, created, and defended. Places like Detroit, Chi-town, and Philly. Enclaves like Tremé, Harlem and Holly Springs. Places that articulate their own sound and gesture.

"Are You Dancing or Are You Stretching?" Digital film. 12:19 minutes. 2023

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Installation Shot. Screening and lecture at MIT Museum. 2023

Process Video. 360 video of Bomba dancer Marcel Santiago in the MIT.nano Immersion lab

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Process Image. "Chocolate Cities: The Black Map of American Life" by M.A. Hunter & Zandria F. Robinson

/ Activating New Archives Through
Embodiment and Movement

Process Image. Motion capture experiments with Gumboot (South Africa), Stepping (US), Haitian Folkloric dance, an experiments with putting motion sensors on drummers and DJs

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Installation Shot. Augmented reality exhibition at MIT.nano. Made in collaboration with Ardalan SadeghiKivi. 2023

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Installation Shot. Upon using your phone to scan a QR code, an AR animated movement sculpture dances based on the abstracted avatars of each dancer. The “movement sculpture” captures a composite of multi-perspectival, simultaneous frames of dance

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Process Video. Recording in the studio with voguer London Escada

Credits

Studio Benton

Artistic Team: Ardalan SadeghiKivi, Rakan Ghresi

Filmmaker: Ian Daniel

 

MIT

AR/VR Technologist: Talis Reks 

Research Scientist: Praneeth Namburi

Gratitude: MIT.nano, MIT Art, Culture, and Technology Program, MIT Immersion Lab

Mentorship & Curatorial Support: Kimberli Grant, Tobias Pruith

Dancers

Buyile Narwele

Marcel Santiago

London Escada

DJ Cakewalk (James Walker)

Jean Apollon Expressions

Khie Hylton

Shakir Evans

Friedlay Steve

Additional Support

Mentorship & Curatorial Support: Kimberli Grant, Tobias Pruith

Funding: Meta Open Arts, Brooklyn Museum, Council of Arts at MIT

Dance Theorists: Adesola Akinleye, Grisha Coleman

 © 2026  Studio Benton

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