MIT Museum & Harvard Carpenter Center
Chocolate City
Dance Map

"Bamba in Motion by Marcel Santiago." Film stills. 2023
/ Let’s get this party started right. Black dance and music are an exact representation of place: out of the migratory hotspots where it has evolved; in the neighborhoods where it originates, through the architecture where it is performed, and in the psychic spaces of those who use it as expression, healing, and joy.
Using motion capture and photogrammetry as a point of departure, The Chocolate City Dance Map is a cartography of Black somatic choreographic movement made in collaboration with MIT.nano and the MIT Immersion Lab. At the intersection of art, science, technology, and social practice, The Chocolate City Dance Map will come to life through the presentation of the “Make Techno Black Again” immersive experience and the sharing of an open-source digital library of Black dance.
What is a map besides an abstraction of what the body knows innately? Here I posit dance as a type of map, a territorial formation of labor, race, class that maps itself onto the body through movement. Popularized by George Clinton, “Chocolate Cites” refer to the constellation of towns and cities where Black culture is maintained, created, and defended. Places like Detroit, Chi-town, and Philly. Enclaves like Tremé, Harlem and Holly Springs. Places that articulate their own sound and gesture.
"Are You Dancing or Are You Stretching?" Digital film. 12:19 minutes. 2023


Installation Shot. Screening and lecture at MIT Museum. 2023
Process Video. 360 video of Bomba dancer Marcel Santiago in the MIT.nano Immersion lab

Process Image. "Chocolate Cities: The Black Map of American Life" by M.A. Hunter & Zandria F. Robinson
/ Activating New Archives Through
Embodiment and Movement
Process Image. Motion capture experiments with Gumboot (South Africa), Stepping (US), Haitian Folkloric dance, an experiments with putting motion sensors on drummers and DJs

Installation Shot. Augmented reality exhibition at MIT.nano. Made in collaboration with Ardalan SadeghiKivi. 2023


Installation Shot. Upon using your phone to scan a QR code, an AR animated movement sculpture dances based on the abstracted avatars of each dancer. The “movement sculpture” captures a composite of multi-perspectival, simultaneous frames of dance

Process Video. Recording in the studio with voguer London Escada
Credits
Studio Benton
Artistic Team: Ardalan SadeghiKivi, Rakan Ghresi
Filmmaker: Ian Daniel
MIT
AR/VR Technologist: Talis Reks
Research Scientist: Praneeth Namburi
Gratitude: MIT.nano, MIT Art, Culture, and Technology Program, MIT Immersion Lab
Mentorship & Curatorial Support: Kimberli Grant, Tobias Pruith
Dancers
Buyile Narwele
Marcel Santiago
London Escada
DJ Cakewalk (James Walker)
Jean Apollon Expressions
Khie Hylton
Shakir Evans
Friedlay Steve
Additional Support
Mentorship & Curatorial Support: Kimberli Grant, Tobias Pruith
Funding: Meta Open Arts, Brooklyn Museum, Council of Arts at MIT
Dance Theorists: Adesola Akinleye, Grisha Coleman